{"id":61,"date":"2013-12-30T13:30:05","date_gmt":"2013-12-30T13:30:05","guid":{"rendered":"http:\/\/sercansengun.com\/vot\/?p=61"},"modified":"2013-12-30T13:34:57","modified_gmt":"2013-12-30T13:34:57","slug":"aracilik-agency","status":"publish","type":"post","link":"http:\/\/sercansengun.com\/vot\/aracilik-agency\/","title":{"rendered":"Arac\u0131l\u0131k (Agency)"},"content":{"rendered":"

Bu k\u0131sa yaz\u0131 sonraki yaz\u0131lar\u0131mda at\u0131f yapaca\u011f\u0131m “agency” kavram\u0131n\u0131 tan\u0131tmak i\u00e7in yaz\u0131ld\u0131. T\u00fcrk\u00e7e’de hen\u00fcz yayg\u0131n bir kar\u015f\u0131l\u0131\u011f\u0131 bulunmayan bu kavram\u0131 ben “arac\u0131l\u0131k” olarak anaca\u011f\u0131m. Bu yaz\u0131n\u0131n temelinde Uluslararas\u0131 ICIDS 2013 konferans\u0131nda sundu\u011fum ve sonradan LCNS #8230’da bas\u0131lan makalem<\/a> bulunmaktad\u0131r.<\/em><\/p>\n

Bu k\u0131sa yaz\u0131da arac\u0131l\u0131k<\/em> kavram\u0131n\u0131 tan\u0131mlamaya \u00e7al\u0131\u015faca\u011f\u0131z. Bu kavram interaktif anlat\u0131larda yazar\u0131n – ya da elektronik dizgicinin – ve okuyucunun – ya da etkile\u015fime girenin – aras\u0131ndaki rollerin dengesini tan\u0131mlamam\u0131za yard\u0131mc\u0131 olabilecek bir kavramd\u0131r. Bu konudaki ana tart\u0131\u015fmalar, etkile\u015fime girenin ne derecede anlat\u0131n\u0131n yazarlar\u0131ndan biri olabilece\u011fine; ya da yazar\u0131n etkile\u015fime girene kar\u015f\u0131 ne tarz limitler koyabilece\u011fine \/ koymas\u0131 gerekti\u011fine dair olu\u015fmaktad\u0131r. Meadows’a g\u00f6re bir anlat\u0131n\u0131n interaktif olabilmesi i\u00e7in etkile\u015fime ge\u00e7en ki\u015fiye “etkileme, se\u00e7im yapma ya da temay\u0131 de\u011fi\u015ftirme” g\u00fcc\u00fc vermesi gerekir [1<\/a>].<\/p>\n

Pek \u00e7ok farkl\u0131 akademisyen interaktif anlat\u0131larla ilgili kendi literat\u00fcrlerini \u00f6nermi\u015flerdir [2-5<\/a>], ancak genel olarak kabul g\u00f6ren kavramlardan biri arac\u0131l\u0131kt\u0131r<\/em>. Bu kavram Murray taraf\u0131ndan \u015fu \u015fekilde tan\u0131mlanm\u0131\u015ft\u0131r; “anlaml\u0131 eylemler ger\u00e7ekle\u015ftirerek, verdi\u011fimiz kararlar\u0131n ve yapt\u0131\u011f\u0131m\u0131z se\u00e7imlerin sonu\u00e7 verdi\u011fini g\u00f6rmekten ald\u0131\u011f\u0131m\u0131z haz verici iktidar hissi”<\/em> [6<\/a>]. Murray yak\u0131n tarihte bu kavrama bir g\u00fcncelleme yapt\u0131 ve kavram\u0131 interaktif anlat\u0131lara daha yakla\u015ft\u0131rd\u0131, buna g\u00f6re video oyunlar\u0131n\u0131 “prosed\u00fcrel ve kat\u0131l\u0131mc\u0131 bir ortama”<\/em> d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesine de dramatik arac\u0131l\u0131k<\/em> diyoruz [7<\/a>].<\/p>\n

Bir interaktif anlat\u0131ya uyarlad\u0131\u011f\u0131m\u0131zda, arac\u0131l\u0131\u011f\u0131n \u015funu \u00f6nerdi\u011finiz g\u00f6rebiliriz; e\u011fer bir okuyucu \/ etkile\u015fime giren ki\u015fi, anlat\u0131n\u0131n ak\u0131\u015f\u0131 ile ilgili kararlar alabiliyor ve ald\u0131\u011f\u0131 kararlar\u0131n sonu\u00e7lar\u0131n\u0131 bariz bir \u015fekilde g\u00f6rebiliyorsa bundan haz duyacakt\u0131r. Buradan da \u015funu \u00e7\u0131karabiliriz; e\u011fer bir \u00f6nceki \u00e7\u0131kar\u0131m do\u011fru ise okuyucunun anlat\u0131 i\u00e7inde verdi\u011fi kararlardan haberdar olmas\u0131 ve verdi\u011fi kararlar ile anlat\u0131n\u0131n izledi\u011fi yol aras\u0131nda mant\u0131ksal ba\u011flant\u0131lar kurabilmesi gereklidir. Buna g\u00f6re de \u015funu s\u00f6yleyebiliriz; anlat\u0131y\u0131 y\u00f6nlendiren se\u00e7imler bilin\u00e7li<\/em> ve g\u00f6r\u00fcnen<\/em> bir \u015fekilde yap\u0131lmal\u0131d\u0131r ve ili\u015fkili sonu\u00e7 \u00e7ok ge\u00e7 olmadan olu\u015fmal\u0131d\u0131r. Arac\u0131l\u0131k ve memnuniyet \/ haz aras\u0131nda kurulan ba\u011f\u0131 psikolojik literat\u00fcrden de destekleyebiliriz. Buna \u00f6rnek olarak daha \u00f6nceki Oyunlarda Etkile\u015fim ve Psikoloji<\/a> yaz\u0131mdan Ak\u0131\u015f Durumu ve KGT verilebilir.<\/p>\n

<\/a>REFERANSLAR<\/strong><\/p>\n

1. Meadows, M.S.: Pause and Effect: The Art of Interactive Narrative, p. 62. New Riders, Berkeley CA (2002)<\/p>\n

2. Laurel, B.: Computers as Theatre. MIT Press, Cambridge MA (2001)<\/p>\n

3. Aarseth, E.: Cybertext: Perspectives on Ergodic Literature. The John Hopkins University Press, Baltimore MD (1997)<\/p>\n

4. Manovich, L.: The Language of New Media. The MIT Press, Cambridge MA (2001)<\/p>\n

5. Ryan, M.L.: Narrative Across Media: The Languages of Storytelling. The University of Nebraska Press, Lincoln NE (2004)<\/p>\n

6. Murray, J.H.: Hamlet on the Holodeck: The Future of Narrative in Cyberspace, p. 126. Simon and Schuster, New York (1997)<\/p>\n

7. Murray, J.H.: Inventing the Medium: Principles of Interaction Design as a Cultural Practice, p. 417. The MIT Press, Cambridge MA (2011)<\/p>\n

\"Arac\u0131l\u0131k<\/a>

Arac\u0131l\u0131k (Agency)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Bu k\u0131sa yaz\u0131 sonraki yaz\u0131lar\u0131mda at\u0131f yapaca\u011f\u0131m “agency” kavram\u0131n\u0131 tan\u0131tmak i\u00e7in yaz\u0131ld\u0131. T\u00fcrk\u00e7e’de hen\u00fcz yayg\u0131n bir kar\u015f\u0131l\u0131\u011f\u0131 bulunmayan bu kavram\u0131 ben “arac\u0131l\u0131k” olarak anaca\u011f\u0131m. Bu yaz\u0131n\u0131n temelinde Uluslararas\u0131 ICIDS 2013 konferans\u0131nda sundu\u011fum ve sonradan LCNS #8230’da bas\u0131lan makalem bulunmaktad\u0131r. Bu k\u0131sa yaz\u0131da arac\u0131l\u0131k kavram\u0131n\u0131 tan\u0131mlamaya \u00e7al\u0131\u015faca\u011f\u0131z. Bu kavram interaktif anlat\u0131larda yazar\u0131n – ya da elektronik […]<\/p>\n","protected":false},"author":1,"featured_media":62,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[54,30],"tags":[72,73],"_links":{"self":[{"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/posts\/61"}],"collection":[{"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":5,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/posts\/61\/revisions"}],"predecessor-version":[{"id":67,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/posts\/61\/revisions\/67"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/media\/62"}],"wp:attachment":[{"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/media?parent=61"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/categories?post=61"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/sercansengun.com\/vot\/wp-json\/wp\/v2\/tags?post=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}